How I Plotted My Novel’s First Draft

I have already discussed the inspiration behind the first draft of my NaNoWriMo 2014 novel, The Cogsmith’s Daughter. In this post, I want to share with you all the steps behind plotting out the first draft of my manuscript.

Obviously, there are as many ways to plot and plan as there are writers. What worked for me may not work for you. However, I want to share the process and hopefully hand over a few simple tips or tricks that you may find useful when it is time to plot your first (or next!) manuscript.

I’m fortunate in that, whenever I have a novel idea, I almost always know the ending before anything else. Therefore, even if the beginning is muddy, I at least know where my story will end up. For The Cogsmith’s Daughter, I knew the ending right away (although it did evolve some), and I knew the basic situation of my protagonist, Aya, and how to introduce her to my readers.

Once I knew my “A” and “Z,” along with the genre, mood, and message of my novel, I began my plotting.

Desertera object inspiration

Step One: Sensory and Visual Samples

In my writing, I strive to frequently reach each of the five senses through the images I use. Therefore, when planning my novel, having strong samples from which to draw is a must. As many writers do, I used Pinterest to gather visual inspiration for my characters, settings, and world accessories. This was especially important because steampunk is a new genre for me, and while I wanted to stay true to its style, I also wanted to put my own twist on it and give it a desert influence.

Step Two: Character Empathy

Once I can visualize my characters, it becomes easier for me to empathize with them. I try to think about each of their situations, motivations, goals, and hardships. How has the death of Aya’s father affected her life, her feelings about the royals and other nobility, her relationships with men? How does Dellwyn’s attitude toward poverty and prostitution differ from Aya’s, given that this is all she has ever known? I do not actually write this down (something I plan to change in future drafts), but I really try to put myself in my characters’ situations and account for how they influence their interactions with other characters and the world.

Step Three: World Building

In the past, world building has not been a big concern of mine. Most of my other works-in-progress are centered in the “real world,” albeit with supernatural or apocalyptic additions. However, for The Cogsmith’s Daughter, I created Desertera — a self-contained fantasy world with far-removed “real world” origins.

Because the setting of Desertera is so important to the novel, the first thing I did was draw a map. I had never done this before, but it proved to be invaluable for keeping my sense of direction and has no doubt saved me from countless continuity errors. I highly recommend it for authors creating their own worlds.

Next, because Desertera is its own world, I had to think about the facets of society that make up a people and their culture. (I knew my sociology degree would come in handy!) What is the religion of Desertera? What are their norms, values, and mores? How does their desert environment impact their steampunk culture? 

As if these types of concerns were not enough, I also had to adjust my writing around Desertera. The people do not refer to their deities as “Gods,” so I could never write anything like “For the love of God!” Likewise, certain objects and beings from the “real world” did not exist in Desertera, so my characters could not reference modes of transportation besides ships, eat beef, and/or take regular baths. These little “physics” details were the most difficult aspect of planning and drafting, but they were crucial to maintain the integrity of Desertera — and really fun to creatively problem solve!

Step Four: Story Beats

The actual plotting of my novel took the form of story beats. For those of you who do not know, story beats are the basic plot points that keep a novel moving toward its conclusion (much like the beat of a base drum in music). I am a strictly linear writer: I plan, write, and edit chronologically. Therefore, when I plotted The Cogsmith’s Daughter, I did so in order, from beginning to end.

I wrote my story beats out in list/bullet point form. I did this by hand, because I tend to think better when I brainstorm by hand, and I like to physically track the story and any changes. Some of my story beats were very specific (Lord Varick visits Aya at work), while others were vague (Aya somehow runs into Willem). However, I ensured that not a single one was wasted. Each beat had to advance the story toward its conclusion and provide entertainment for the reader.

That is my number one tip for plotting out your novel: make sure that every move your characters make and every scene you write advances the story toward its conclusion and is entertaining for your reader.

I hope you all enjoyed this brief insight into the planning process behind The Cogsmith’s Daughter. Like I said, these techniques may not work for everyone, but I hope they still inspire you to start thinking about your next writing project!

---

How do you plan your manuscripts — or do you plan at all? What is your best tips for the planners out there? Share them below!