Fiction Blog, Musings & Bookish Things

Should Books Be Written on Soapboxes: Social Responsibility & Literature

As someone raised in the Midwest, I learned at a young age not to discuss sex, politics, or religion. While I’ll gab about the former with the right people (and after a glass or two of red wine!), I tend to avoid politics and religion. From a cultural standpoint, I learned by example that discussing these issues seems pointless and sometimes rude. How can I, as one little person, cause any real change in the world? Why waste my time trying to alter someone’s mind on such divisive topics? What does someone’s political affiliation or religious beliefs matter if they’re a good person?

protestFrom a personal standpoint, I feel I have no right to discuss these issues. Since I don’t have a political or religious association of any kind, who would take me seriously? How can I ensure the information I learn is even factual? And, given how much I hate conflict, why open myself up it?

However, with the current state of the world, politics and religion are becoming increasingly difficult to avoid. And perhaps rightly so. Between the radical propositions made by President Trump, Alt-Right/Nazi rallies (a phrase I never thought I’d type in present-day context), and devastating climactic events, politics and religion arise in nearly every conversation. And as I sit there, mouth clamped tightly shut while friends and family members rattle off their views and theories, I have a realization.

While I don’t often voice my views on contentious issues, I’ve written them into my books.

In the Desertera series, I’ve woven in several topics I care strongly about — sometimes intentionally, sometimes not. I advocate for a positive view of female (and all) sexuality. I grapple with the de-criminalization of prostitution (an issue I’m still uncertain about). I support homosexuality by making it a non-issue in society (except for where it prevents the nobles from having biological heirs). I condemn classism and social stratification. And, especially in the final books of the series, I’ll warn the reader about climate change.

Listed bluntly like this, I marvel at my boldness. I do have opinions — quite a few that would shock my fellow Midwesterners — but I’ve made them more palatable, I hope, by lacing them in fiction. And I’m not alone. Not by a long shot.

Most of the literary fiction I studied in college contained moral or political messages for the reader. Many of my author friends use their writing to advocate for causes or social issues. Hell, Science Fiction as a genre basically serves as a warning from the future (it’s one of the reasons I’ve always been attracted to it). You’ll find the same agendas in nearly every form of artwork at nearly every stage in history.

This brings me to the crux of this article: As an author, do you feel a social responsibility to stand on your “soapbox” in your writing? And as a reader, how do you feel when authors “preach” a message within a novel?

I don’t think there’s a right or wrong answer.

On one hand, inserting your views into fiction can be a noble endeavor. It gives readers with similar views a safe place in entertainment. It allows readers with different views a chance to consider a new perspective without being personally attacked. And it offers you, as the author, to remain at arm’s length from the topic.

On the other hand, shouldn’t fiction just be fiction? In a world where the news constantly showers us with depressing topics, our social media feeds fill with contention, and our dinner table conversations get usurped by arguments, we need a break. Isn’t it just as noble for books to offer pure entertainment and unbiased escape?

I go back and forth on this issue a lot.

As a writer, I do feel an obligation to make my fiction meaningful. Though, I don’t always agree with myself about what is “meaningful.” Sometimes, I want to use my fiction as a platform. Other times, I just want to offer my reader that innocent escape.

Same goes for when I’m reading a novel. Mostly, I appreciate when an author attempts to make me think deeper — so long as she writes in way that feels respectful to me and doesn’t belabor her point. Though, other times, even the slightest hint of an agenda will make me cringe and wonder, “Why can’t I just enjoy this story for the story’s sake?!”

Maybe it’s about choosing which type of author you want to be, or which type of writing is right for each particular story. Maybe it’s about knowing what your ideal reader expects. Maybe it’s about striking a balance between theme and entertainment. Maybe it’s about being sneakier, having your cake and eating it without the reader even noticing you baked it.

My specific answer keeps changing, based on whether I’m writing or reading, the story itself, the mood I’m in, even the day (it’s no coincidence that I’m writing this on 9/11). But my politically correct, moderate, agnostic answer remains the same: as long as the author respects the story and the reader, that’s what matters most, soapbox or not.


What do you think? Do authors have a responsibility to advocate for their political/religious views in their fiction? As a reader, do you expect a “message” from the author, or are you only looking for entertainment? Leave your thoughts in the comments.

 

Fiction Blog, Musings & Bookish Things

Step Into My Office (Or, Where I Write)

where-i-writeAs a reader, I love learning more about how my favorite books were written. Fun facts like how J.K. Rowling wrote the initial idea for Harry Potter on a napkin, or how Ernest Hemingway only wrote while standing (in a pair of oversized loafers, to be precise) always intrigue me.

I’ve shared by original inspiration for the Desertera series before (you can read about it here), but I realized I rarely talk about how or where I write. Admittedly, my “office” isn’t glamorous, but it’s gotten the job done twice now (14 times if you count my nonfiction projects).

My office spaceSome writers swear by the coffee shop – the white noise, the social pressure to look busy, the caffeine! – while others can’t imagine writing in public. I used to be in the second group. In fact, when given the option, I’ll always choose to write in the solitude of my office (aka the spare bedroom my husband also works in), wearing my cozy sheep robe, with a steaming up of chai tea (made with almond milk, of course) resting on my Kansas coaster.

On the weekends, I get my way and can write in my private little haven. But you know what? Most of the time, I can barely drag myself to the keyboard. Between the adorable meows of my feline son Thomas, and the seductive “buh-uh” of Netflix (don’t look at me like that – you know the sound!), and the pathetic reality of the empty refrigerator, there are about a hundred distractions that keep me saying, “I’ll write later.”

Sometimes I do. Other times I don’t. It’s always a gamble, and the voice in my head has a fantastic poker face.

Luckily for my readers and my sanity, the weekdays arrive again. Every morning, I pack my trusty laptop in my bag. (Disclaimer: I’m obligated to mention that it was a birthday present from my husband and I love it.) Then, I head to the train station, find my favorite seat in the “quiet car,” and write for the entire ride to work – and again, on the way home.

If you ask me, I’ll tell you that I hate writing on the train. Bumpy spots in the tracks make me commit unforgivable typos, the doors let in chilly breezes, and the other passengers take up more than their fair share of seat space (Can’t they see I’m writing, here?). But remember, inner me can’t be trusted.

On the trainWhen it comes down to it, I actually love writing on the train. The quiet car provides that crucial white noise – you wouldn’t believe how easily you learn to tune out conductors and announcements. The other passengers, while not always respectful of my space, provide that awful social pressure. (After all, I can’t have my laptop out like some kind of professional and not work.) And, I have to admit, I get a burst of satisfaction whenever I catch the person next to me reading over my shoulder … especially when they have a kind smile on their face!

And yes, I have written steamy scenes on the train. And yes, making eye contact with strangers when I do is hella awkward.

But the best part of writing on the train? It alleviates my writerly guilt. Like when you curl up with a book and ignore your family or friends, writing is a solitary craft. I hate spending evenings or weekends locked away in my study when I could be spending them with my husband or our friends. As long as I can get a seat on the train, I can easily write 1,000 words during my commute. So, when I get home, it’s all about enjoying dinner and each other’s company (and yes, Netflix).

As I said, it’s not the most glamorous office, but it gets the job done. Hopefully, I’ll be able to prove that to you again in a few months!


Do you have any fun facts about the writing of your favorite books? Where do you feel most creative or productive? Any other questions for me? Share in the comments!

Book Reviews, Fiction Blog

Indie Book Review: Winter of the Wolf by Christina Ochs

Winter of the Wolf CoverWinter of the Wolf by Christina Ochs
My rating: 5 of 5 stars

Winter of the Wolf is the fourth book in Christina Ochs’ Desolate Empire series. To be blunt, I have a lot of wonderful things to say about this book — only I can’t say any of them, for risk of spoiling the novel (and the entire series) for you.

What I can reveal is that it falls beautifully in line with the rest of the series. Winter of the Wolf is full of action, political drama, and jaw-dropping twists that literally made me shriek (and sometimes cry). Despite being a long novel (595 pages), it read incredibly quickly and left me wanting more.

And that’s all I will risk telling you.

That being said, I’m going to break from my usual, detailed review style and simply list the top five reasons you should be reading the entire Desolate Empire series.

  1. It’s “clean” Game of Thrones. An epic fantasy world, inspired by a real-world war. Multiple kingdoms fighting for control of one empire. Political intrigue, bloody battles, dark magic, and a little romance. All in a family friendly, no cursing, fade-to-black package.
  2. There’s a character for everyone. From the beautiful and savvy Princess Gwynneth to the brooding warrior Braedon Terris to the evil and manipulative Empress Teodora, you’ll find characters to love and love-to-hate. (Psst — sound familiar?)
  3. You won’t be able to breathe. Between the tense political situations and the life-or-death action, the Desolate Empire series will leave you on the edge of your seat. Just when you think you can breathe again, Ochs will give you another unexpected twist or a gripping cliffhanger. (For that reason, you’ll love to hate her, too. But mostly love!)
  4. Each book gets better. Thus far, this is not one of those series with a weak link or two hiding in the middle. Every single book has been better than the last.
  5. You can’t tell it’s self-published. As an independent author myself, I loathe to even make this point because it shouldn’t matter. However, for some readers it does. So, trust me — the writing is great, the plots are solid, and it far surpasses many traditionally published books I’ve read.

If this all sounds too good to be true, it isn’t. Do yourself a favor and buy these books today.


Winter of the Wolf CoverAs always, the links throughout this review are Amazon Associate links. This means, if you buy the book, I receive a small percentage of the sale. However, you pay no more and the author receives no less. The author has not paid or incentivized me for this review — I do so purely to spread the word about a book I love.

Book Reviews, Fiction Blog

Indie Book Review: The Sons of Brabant by Michael Bolan

sons-of-brabantThe Sons of Brabant (Book I of the Devil’s Bible Series) by Michael Bolan
My rating: 4 of 5 stars

The Sons of Brabant is the first novel in the Devil’s Bible Series by Michael Bolan (it’s also FREE on Amazon at the time of writing). After the Duke of Brabant dies, his family falls apart. The eldest son, Reinald, inherits the Duchy after manipulating the Duke on his death bed. The younger sons, Willem and Leo, and their sister, Isabella, leave the Duchy in a rage. They establish a mercenary band and vow to one day return to Brabant and liberate the people from Reinald’s tyrannical rule. Meanwhile, Duke Reinald has teamed up with some of the most powerful people in Europe in an attempt to bring about the biblical End of Days and Second Coming of Christ.

The Sons of Brabant takes place in 17th-century Europe, during the Thirty Years War. I should preface this review by saying that, while I enjoy history, I’m not well-versed in this particular time period. The novel seemed well-researched and historically accurate but, to be honest, I wouldn’t know if it wasn’t. However, from the little nods throughout the text, I get the feeling that there are a lot of historical “cameos” and references that history buffs will appreciate.

Where The Sons of Brabant deviates from history is in the fantasy elements — and as a fantasy author, these were my favorite parts of the book. I loved the mythology behind Conor’s Irish homeland, and I hope to see more it in the later novels. Also, it’s no secret that I adore apocalypses, and I found myself enraptured (pun intended) with the plot to bring about the Rapture. The “Four Horsemen” have woven an intricate plan, and the political, economic, scientific, and militaristic scheming were fascinating.

From a writing standpoint, The Sons of Brabant is solid. The characters are developed and have clear motivations, and while this novel didn’t provide enough time for them to grow too much, I can see how they might evolve over the course of the series. The narrative style fits with the formality of the time period, and the plot, though complex, is clearly explained. In fact, it may have been too explained. At times, the action would stall when the exposition or the characters (in dialog) would repeat a detail already given or summarize action that had already been shown. For the most part, though, the story moves along at a steady pace.

The Sons of Brabant strikes a nice balance between history and fantasy, battle and political intrigue. It serves as an intriguing introduction to the characters and the larger plot to bring about the Rapture, while also providing hints at the action to come. Recommended for those who like historical military fiction, mythology, and religious thrillers.

 View all my reviews

You can find out more about Michael Bolan on his website. He also discusses the theme of fear and his favorite literary villains (including Duke Reinald) in this guest post.


sons-of-brabantIf you are interested in reading The Sons of Brabant and would like to help sponsor my writing and research, you can purchase it at my Amazon Associates Store. By doing this, you will not pay a cent extra, nor will the author receive a cent less, but I will receive a small commission on the sale. Simply click the book’s title or the book’s image.

Book Reviews, Fiction Blog

Indie Book Review: A Thousand Rooms by Helen Jones

a-thousand-roomsA Thousand Rooms by Helen Jones
My rating: 5 of 5 stars

Katie didn’t wake up expecting to die. And yet, that’s exactly how A Thousand Rooms begins. As Katie stands on the street, watching emergency responders attend to her body, she waits for whatever comes next. Nothing comes, and Katie is forced to drift about the earth alone in search of her individual heaven, the meaning of her life, and any other souls who can help her.

I’ve long been a fan of Helen Jones’s Ambeth series, and I really enjoyed seeing her take on a different genre and world in A Thousand Rooms. The novel reads like contemporary fiction but has a lovely touch of fantasy and a good helping of romance (which came as a pleasant surprise after all of Katie’s struggles!). As usual, Jones’s writing is descriptive and detailed, and she beautifully brings to life the various settings (real and imagined) throughout the novel.

As a protagonist, Katie is a strong character. She has a deep love for her family, a clever set of problem-solving skills, and a bit of a potty mouth (which I really love, but some may find offensive). I appreciated how Katie remained headstrong and steadfast in her search for heaven, even after several obstacles sent her crashing (sometimes literally) back down to Earth. At times, she did get a little whiney for me … but hey, if I were dead and left to wander Earth alone, I know I’d bitch, too.

The novel has a steady pace, with a good balance of action and introspection. Personally, I would have liked to have seen a little less reflection on Katie’s life and more of the various heavens, but I understand why Jones chose to portion the novel as she did, and it works well. If I had to describe A Thousand Rooms in one word, it would be bittersweet. Katie’s emotions are raw and realistic, and as someone who deeply empathizes with others (and is a bit homesick herself), I found myself tearing up at several points throughout the novel. Sometimes, I grieved with Katie for her lost life, while at other times, I happy-cried for her moments of joy. Maybe I’m just a sucker … or maybe Jones has written a fantastic, emotionally resonant novel. (You can let me know after you read it!)

Overall, A Thousand Rooms is a beautiful journey that reminds the reader to appreciate every moment and focus on the “blessed” things in their life. While at times sad and introspective, it is also unfailingly hopeful and full of joy and love. Jones has crafted an endearing heroine, an uplifting love story, and a captivating vision of the afterlife (I wouldn’t mind if this novel were right!). Highly recommended for those who like strong female characters, coming-of-age narratives, and true love — just keep the tissues nearby!

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a-thousand-roomsIf you are interested in reading A Thousand Rooms and would like to help sponsor my writing and research, you can purchase it through my Amazon Associates Store. By doing this, you will not pay a cent extra, nor will the author receive a cent less, but I will receive a small commission on the sale. Simply click the book’s title or the book’s image.